A riveting reconsideration of a musical classic.
The 1999 London production of "Oklahoma!", directed by Trevor Nunn with choreography by Susan Stroman, was the first major departure ever from the original Joshua Logan-Agnes De Mille production of 1943. It was a gamble that paid off big, for the performance recorded for posterity on this DVD is absolutely brilliant--funny, riveting, and deeply poignant. The dancing is astonishing, and the beloved Rodgers & Hammerstein songs have never sounded so good. Nunn and Stroman know how to stage each number for maximum dramatic effect, so that the songs come across less as songs than as dramatic monologues in music--which is, of course, exactly what Rodgers & Hammerstein wanted.
The cast of this version is so wonderful that it is impossible to talk about them in anything but superlatives. (I might make a slight, regretful exception for Vicki Simon as Ado Annie, who is merely very good whereas everyone else is spectacular.) As Will Parker, Jimmy Johnston--an endearing if improbable...
Wow
I just watched this on PBS and ran immediately to the computer to order the DVD. I grew up working in local summer stock and community theatre--went on to major in theatre in undergrad before going to grad school for something more consistent with regular work. I worked on or was in a couple of productions of Oklahoma, and have seen several--some great, some not. I have always appreciated the wonderful music and the nearly operatic tone of the show. But before tonight, I had never seen this theatrical classic ACTED. It was spellbinding. Who knew what a great piece of drama this show could be? And for icing on the dramatic cake, the dancing was Seven Brides for Seven Brothers quality, and the vocal performances were the best, in aggregate, I've ever even heard ABOUT. The character of Jud Fry worked in ways I never new it could, due to inspired direction and a tour de force performance. Laurie and Curly actually dancing the dream ballet themselves removed a perenial speed bump...
The classic American musical gets the Trevor Nunn touch
Every time I watch a version of "Oklahoma!" there are two conclusions that I always reach. The first is that there is no greater chorus in the American musical than the title song from this show. No wonder as soon as it is finished the cast does it again and then for good measure does it at the end of the curtain calls. It always gives me chills when they do the big finish and it occurs to me that the song "Oklahoma" is our secular equivalent of "The Hallelujah Chorus." The second inevitable thought is that Shirley Jones had a truly great singing voice, perfect for musical theater. Any one who plays Laurey Williams is going to suffer in comparison when it comes to the singing (the test case remains the same: the end of the reprise of "People Will Say We're in Love."
That is not to say that this 1999 London Stage Revival of the classic Rodgers and Hammerstein musical is not impressive. Director Trevor Nunn restores the full text and you...
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